CREAM BY DEKEYSER
PRODUCT DESIGN DEVELOPMENT
Glass Vase Line
OVERVIEW
From aerospace-inspired compounds to Italian silks and boatbuilding techniques, CREAM by DeKeyser developed into a truly unique product line.
CONCEPT & DEVELOPMENT
CREAM by DeKeyser was conceived as a collection of sculptural glass vases that merged material innovation with everyday function. Designed to be both visually striking and commercially viable, the line occupied a unique space: refined enough for collectors, accessible enough for luxury home environments.
With a proprietary fabrication process developed entirely in-house, the vases stood apart for their saturated color, high-gloss finishes, and visual tension—appearing ceramic at first glance, revealed as glass upon closer inspection, yet still leaving their exact composition indiscernible.
The line was deliberately positioned between the art and home-décor markets, appealing to both collectors and design-forward consumers.
MATERIAL INNOVATION & PROPRIETARY PROCESS
The catalyst for CREAM came from childhood memories of her father building the hulls of fiberglass boats. Watching the layering, bonding, and finishing at work became the unlikely spark for exploring material application.
As development progressed, and in solving for one of the most aggressive degraders of surface materials—sunlight—I consulted with NASA engineers and devised a custom compound to ensure color saturation would not alter or degrade over time. With this formulation and through extensive testing, I developed a proprietary method of binding disparate materials—impervious glass with Italian silks and other richly pigmented, even textured, textiles.
Each piece Is hand-signed, cataloged, and meticulously finished in-studio.
MARKET RESEARCH & PRODUCT POSITIONING
While refining the materials and production process, I also conducted targeted research into buyer expectations, pricing thresholds, and the competitive landscape across boutique and design retail. This included trend analysis, margin modeling, and buyer profiling—ensuring the line aligned with both production realities and aesthetic standards.
The research helped define everything from scale and price point to finish level and packaging, positioning the collection to resonate with luxury retail buyers and consumers with a strong eye for interiors and form.
That insight led to a key decision: to design the line for dual-market appeal. CREAM vases were created to live in two spaces simultaneously—the art gallery world and the high-end home decor market. The pieces sold in museum gift shops, design boutiques, furniture showrooms, and were used by stylists and interior designers alike, drawn to the line’s distinctive presence and versatility.
RETAIL STRATEGY, PLACEMENT, & PRESS
As CREAM entered the market, I refined key elements of the brand strategy to ensure it met the demands of both buyers and consumers. I adjusted pricing models, streamlined packaging, and reworked how the line was displayed in-store—tailoring materials and presentation to align with different retail environments.
As orders scaled and the brand matured, I created all sales materials and worked with showroom reps to support placements, while select showrooms—like Jules Seltzer Associates—launched their own in-store displays, catalog features, and ad campaigns that positioned the line as “works of art.”
Without any formal press outreach, the work drew attention on its own. Coverage included:
- InStyle
- LUXE Magazine
- Los Angeles Times Magazine
- Marie Claire
- Good Housekeeping
- Inside Weddings
- Florist Review
- Marie Claire
- Feature on Fine Living Network
Retailers included Fred Segal, LACMA, the Long Beach Museum of Art, and the W Hotel in Sydney. Buyers across industries—furniture, fashion, hospitality—responded to the line’s refined aesthetic, adaptability, and retail readiness.
OUTCOME & BRAND LEGACY
I developed, produced, and marketed the CREAM line independently—bringing together material innovation, technical invention, and a clear point of view. From concept to store shelf, I built a distinctive product while navigating the realities of production, branding, and market rollout.
The line ultimately established a meaningful presence in the market—with international reach, critical press attention, and consistent sell-through in design-forward showrooms.
And the project remains a benchmark for me—not just for what I made or what it became, but for what it taught me: how to think like a designer and a marketer.
It laid the foundation for everything that followed.
